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Saturday, September 16, 2023 at 7:30 p.m. - Christ Church Cathedral

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Artist Biographies


Canadian soprano Jacqueline Woodley has been praised for her fearless versatility, changing styles fluidly from early music to contemporary, from opera to art song.

Recent performances include her Montreal Symphony Orchestra debut under Kent Nagano; the role of Adele (Die Fledermaus) with Edmonton Opera; appearances at the Vancouver Early Music Festival and the Ottawa International Music Festival with Les Voix Baroques; a soprano and trumpet programme for Clavecin en Concert and La Fête de la Musique de Mont-Tremblant; and Handel’s Messiah both for the National Arts Centre Orchestra and in a staged version for Against the Grain Theatre.

Sought after for her “exceptional talent” in performing modern works, Jacqueline created the role of Milice-Bride in the première of Ana Sokolovic’s opera Svaba-Wedding with Queen of Puddings Music Theatre, as well as the American première with Philadelphia Opera and subsequent Canadian and European tours. Other well-received performances of contemporary music include works by György Kurtág, Kaija Saariaho and Judith Weir.

A recent alumna of the Canadian Opera Company Studio Ensemble (2010-2012), she performed and covered several main stage roles, among which Olympia (Contes d’Hoffmann), Amore (Orfeo ed Euridice), First Priestess (Iphigénie en Tauride), Page (Rigoletto), Lace Seller (Death in Venice), and was heard in the Studio Ensemble productions as Iris in Semele and the “deliciously sexy” Papagena in Die Zauberflöte.

Possessing a strong affinity for concert works, Jacqueline has sung Bach’s Saint John Passion, Orff’s Carmina Burana, Fauré and Mozart’s Requiem, Mahler’s Eighth Symphony, Mercure’s Cantate pour une joie, Haydn’s The Creation, Pärt’s Stabat Mater, and Vaughan Williams’ Dona Nobis Pacem.

Jacqueline holds a master’s in opera from McGill University, and upcoming performances include Messiah with Aradia Ensemble and Papagena with Edmonton Opera.

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Sought-after baritone Tyler Duncan appears regularly on major concert stages around the world. Recent critics have called his performances “eloquent,” “charismatic,” and “stunning,” and praised his “refined, burnished voice” and “impeccable phrasing.” Tyler has recently appeared in concerts with the Minnesota Orchestra, the Toronto Symphony, the Kansas City Symphony, the New York Philharmonic, and at the Wigmore Hall.

Also accomplished on the opera stage, Tyler has appeared at the Metropolitan Opera as Prince Yamadori in Puccini’s Madama Butterfly under Karel Chichon, among many other Met Opera roles. Other recent roles include Morales in Bizet’s Carmen under Seiji Ozawa, and appearances in the Spoleto Festival as the Speaker in Mozart’s The Magic Flute. Duncan is also passionate about new opera; recent roles include Raymond in Nic Gotham’s Nigredo Hotel with City Opera Vancouver, and in the world premiere of Jonathan Berger’s Leonardo at New York’s 92nd Street Y.

Mr. Duncan also performs as a duo with pianist Erika Switzer, celebrating songs from the Romantic period as well as the work of living composers. Together the pair have premiered dozens of new compositions.

Tyler’s recordings include the newly released album English Songs à la française with Erika Switzer, the Juno Award winning Vaughan-Williams Serenade to Music with Peter Ounjian and the Toronto Symphony, Earthquakes and Islands: an album of songs by Andrew Staniland with texts by Robin Richardson, the title role in John Blow’s Venus and Adonis with Boston Early Music Festival, J.S. Bach’s St. John Passion with the Portland Baroque Orchestra, Purcell works and Carissimi’s Jephte with Les Voix Baroque, and a DVD of Handel’s Messiah with Kent Nagano and the Montreal Symphony Orchestra. His singing has been recognized internationally with numerous awards, including Grammy and Juno nominations and prizes from the Naumburg, London’s Wigmore Hall, and Munich’s ARD competitions.

Originally from British Columbia, Canada, Mr. Duncan resides in New York’s beautiful Hudson Valley.

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Nate Helgeson is one of the West Coast’s leading specialists in historical bassoons. He appears frequently as soloist with period instrument orchestras such as Portland Baroque Orchestra, Seattle Baroque Orchestra, American Bach Soloists, and Mercury Chamber Orchestra. Nate can be heard on recordings by Apollo’s Fire, Tafelmusik Baroque Orchestra, Pacific MusicWorks, and the Trinity Baroque Orchestra.

Beginning in 2018,he has performed works of Rossini and Bellini on period instruments as part of Teatro Nuovo, a festival in New York exploring 19th century bel canto sounds and performance practices on the opera stage. He is on faculty at the Bozeman Baroque Performance Workshop, and was professor of bassoon at the University of Oregon during the 2019/20 school year.

Nate studied modern bassoon with Steve Vacchi and Richard Svoboda before taking up the baroque bassoon, continuing his studies with Dominic Teresi at the Juilliard School. He lives in Salem, Oregon with his wife Annabeth Shirley, cellist and whole human being in her own right.

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The ‘house band’ of Early Music Vancouver, The Pacific Baroque Orchestra (PBO) is recognized as one of Canada’s most exciting and innovative ensembles performing “early music for modern ears.” Formed in 1990, the orchestra quickly established itself as a force in Vancouver’s burgeoning music scene with the ongoing support of Early Music Vancouver.  In 2009, PBO welcomed Alexander Weimann as Director. His imaginative programming, creativity and engaging musicianship have carved out a unique and vital place in the cultural landscape of Vancouver.

PBO regularly joins forces with internationally-celebrated Canadian guest artists, providing performance opportunities for Canadian musicians while exposing West Coast audiences to a spectacular variety of talent. The Orchestra has also toured throughout BC, the northern United States, and across Canada. Their 2019 East Coast Canadian tour with Canadian soprano Karina Gauvin culminated in a critically acclaimed album, Nuit Blanches, released by Atma Classique. 

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Alexander Weimann is one of the most sought-after ensemble directors, soloists, and chamber music partners of his generation. After travelling the world with ensembles such as Tragicomedia, Cantus Cölln, the Freiburger Barockorchester, Gesualdo Consort and Tafelmusik, he now focuses on his activities as Music Director of the Pacific Baroque Orchestra in Vancouver, Music Director of the Seattle Baroque Orchestra, and regular guest conductor of ensembles including the Victoria Symphony, Symphony Nova Scotia, Arion Baroque Orchestra in Montreal and the Portland Baroque Orchestra.

Alex was born in Munich, where he studied the organ, church music, musicology (with a summa con laude thesis on Bach’s secco recitatives), theatre, mediæval Latin, and jazz piano, supported by a variety of federal scholarships. From 1990 to 1995, he taught music theory, improvisation, and Jazz at the Munich Musikhochschule. Since 1998, he has been giving master classes in harpsichord and historical performance practice at institutions such as Lunds University in Malmö, the Bremen Musikhochschule, the University of California (Berkeley), Dartmouth College (New Hampshire), McGill University, Université de Montréal, and Mount Allison (New Brunswick). He now teaches at the University of British Columbia and directs the Baroque Orchestra Mentorship Programme there. He has received several JUNO and GRAMMY Award nominations – most recently, for the album Nuit Blanches with the Pacific Baroque Orchestra and Karina Gauvin.

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Parking Information

The Cathedral is located on Quadra Street at Rockland Avenue. 

Street parking is available on Quadra Street, Burdett Avenue, and Rockland Avenue, as well as at the south entrance to the Cathedral off Burdett.

Tyler uncan
Jaquie Woodley
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